•Worked in teams of varying size & build - on engineering teams of 2-15 people, under engineering leads and production/stage managers; sometimes occupied role as team lead
•Gathered needs and functional requirements from clients & presented those findings to a production team
•Developed technical specifications and audio schema based on artist input, user needs, & venue resources
•Crafted user experience for both artists and audience
•Maintained & troubleshot technical systems - worked with schematics & documentation, tracked issues & communicated these to managers & clients
•Established streamlined workflow processes across an engineering team (building & iterating on template files, calibrating PA systems, organizing shared equipment) & with artists (operational milestones, audio schema)
•Responsible for facilitating live music performances with a high production value and in a timely manner on a tight production schedule
•Long-standing contract work and/or staff positions (further itemized below in Experience section):
•venues incl. Caribou Room (’17-present), Lazy Dog Live Music (’15-’19), Pop-Up (’17-18), Boulder Theater (’15-’19), Fox Theater (’15-19)
•annual festivals incl. Upslope Get Down (3x), Frozen Dead Guy Days (3x), Hanuman (2x)
•companies incl. Sweetwave Audio, Z2 Entertainment, Front Range Backline
•My roles sometimes expanded to Stage Manager, Artist Liaison, Lighting Designer, Backline Tech, Stagehand